
[tubepress mode='playlist', playlistValue='BDAAA97F4D377FCF']

[tubepress mode='playlist', playlistValue='BDAAA97F4D377FCF']
小刺蝟成長速度好快呀,今個星期又大了很多,原來他是男孩子呀。
刺蝟媽媽還是十分保護他,要用食物引開她才能看到BB呢~

Edgar Müller – a Master of 3d Pavement Art – needed 5 days to the completion of this huge picture. Together with up to five assistant he painted all day long from sun rise to set. The enormous illusion is reached by applying the anamorphic technique to a huge pavement painting. Around 250 square meter large this picture is part of Edgar’s newest project. He paints over urban areas to give them a different look and thereby challenge the audience’s perception.
買了panasonic fx36, 好正呀, 拍movie勁清!!! elmo 試拍, 片中的喵喵叫白白, 是家中新成員, 希望可以和elmo和睦相處啦^u^
Three Grammy nominations, third studio album… the symbolic third time may well be charming for Vanessa Carlton, whose forthcoming Heroes and Thieves (The Inc. Records) showcases the maturing talents of the 26-year-old singer/songwriter/pianist. Calling it “the best batch of songs I’ve ever written,” she brings them brilliantly to life with a star team of co-producers – Irv Gotti, Stephan Jenkins and Linda Perry. The result is a standout collection for an artist who first exploded onto the scene in 2002 with her stunning debut Be Not Nobody and its hit singles “A Thousand Miles” and “Ordinary Day.”
Her debut album in April 2002, Be Not Nobody, resonated with audiences of all ages, especially the hit piano single “A Thousand Miles,” which reached the Top 5 on Billboard’s Hot 100 Singles chart. Carlton went on to earn 2003 Grammy nominations for Record of the Year, Song of the Year and Best Instrumental Arrangement Accompanying Vocalist (“A Thousand Miles”). Her second album Harmonium, which yielded the single “White Houses,” continued to inspire an increasingly loyal fan base and garnered some the best reviews of her career.
What Vanessa Carlton has learned during the past five years is clearly the fodder that makes up the most compelling components of Heroes and Thieves, a thematic album best listened to in its entirety, despite the cafeteria habits of the iTunes generation. “People tell me my songs are a little weird or unconventional, but in a good way and I like that,” says Vanessa Carlton. “I really wanted this album to be the one you want to wake up to on a Sunday morning and listen to over and over.”